This photo-book contains a selection of 138 photos by the celebrated photographer, intertwining his internationally renowned works with those that have yet to be released. The book contains an essay “My Quest” written by Fan Ho himself in the 70’s, explaining his own practice and his stylistic journey as he was influenced by different movements in photography occurring at that time. Through his essay, we learn about his interpretations of aesthetics, poetics, philosophy and synergy, as seen in his photographs.
Fan Ho transitioned from the world of photography to the film industry while maintaining his enthusiasm for art. This transition is examined in an academic essay written by Dr. Timmy Chen, who is currently researching on Fan Ho’s cinema, further elaborated in an essay and personal interpretation by Law Kar, a veteran film researcher and personal friend of Fan Ho.
As per the Fan Ho family, “Fan Ho will always have a special place in our hearts, and we feel closer to him through the lasting legacy of his work. We know we will continue to discover something refreshing every time we look at his unforgettable images, be they portrayals of a bygone era or of the endurance of the human spirit.”
Fan Ho 何藩 (1931-2016)
Born in Shanghai in 1931, Fan Ho delved into photography at the early age of 10 when he started taking pictures witha Kodak Brownie camera his father had left behind. Later at the age of 18, his father bought him a twin lens Rolleiflex camera with which he took all his award-winning photographs.
In 1949,Fan Ho’s parents moved to Hong Kong,where the young Fan Ho continued pursuing his passion for photography, in particularly for street photography. Dubbed the “Cartier-Bresson of the East”.
Fan Ho’s works earned him close to 300 local and international photography awards and titles. His talent was discovered also by the film industry where he started out as an actor before moving into film directing until his retirement at age 65.
During his lifetime, Fan Ho taught photography and film-making at various universities worldwide. His works remain in private and public collections which, most notably, include that of M+ Museum (Hong Kong), Heritage Museum (Hong Kong), Bibliothèque National de France, San Francisco Museum of Modern Art, Santa Barbara Museum of Art (USA) and more.
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